Featured artist Patrick Lockard is a joyful soul who delights in discovering the world around him. He has a fun-loving spirit and enjoys music, art, sports, and community activities. He also has autism and is intellectually challenged. With the support of his mother, Marlene Terrazas, he has flourished. This month’s Novel Becomings shares Patrick’s gifts as an artist who loves to draw, color, and sing.

Often art brings joy. Its novelty grabs our attention in a world of sameness. In this case art was created to burst through endless grey and snow-filled days, and it became a life. Whitney Relf lives art. She surrounds herself with fun and whimsical items to bring her joy. She constantly changes little things and big things so there is always something different. It might not be every one’s cup of tea but it is a house full of wonders and color.

Meet Dave Huth. He loves beetles, salamanders, frogs and all creatures very small. He is a teacher, storyteller, picture maker, and whistler of jaunty tunes. In this piece, Dave offers a glimpse into his obsession with finding new and effective ways to draw people into deep thinking and even deeper feeling about ecology and human life.

As Ukraine is struggling to maintain its sovereignty, many are lifting up Ukrainian art. In this post we are sharing some inspiring examples in the hope that it evokes feelings for you.

In this piece, Kat Reeves interviews Doña Paula, a textile artist in Guatemala whose work provides a vivid example of the interwoven nature of things, by participating in a program that not only involves the coming together of individuals from multiple cultures but also invites her to create unique pieces that combine multiple cultural expressions.

In this piece, Jared Morningstar describes the challenging but rewarding process of producing an artistic rendering of the 112th Surah of the Qur’an—Surah Al-Ikhlāṣ (tr: The Chapter of Sincerity). “I found the process of creating this work to be rather demanding. A high degree of precision was involved, both in perception in order to begin accurately reproducing the piece, but also with the strokes themselves, especially in the final pass with pen.”